Kundenlogin- Zusatztext
<span><span>The Quran makes extensive use of older religious material, stories, and traditions that predate the origins of Islam, and there has long been a fierce debate about how this material found its way into the Quran. This unique book argues that this debate has largely been characterized by a failure to fully appreciate the Quran as a predominately oral product.</span></span><br><span></span><br><span><span>Using innovative computerized linguistic analysis, this study demonstrates that the Quran displays many of the signs of oral composition that have been found in other traditional literature. When one then combines these computerized results with other clues to the Qurans origins (such as the demonstrably oral culture that both predated and preceded the Quran, as well as the folk memory in the Islamic tradition that Muhammad was an oral performer) these multiple lines of evidence converge and point to the conclusion that large portions of the Quran need to be understood as being constructed live, in oral performance.</span></span><br><span></span><br><span><span>Combining historical, linguistic, and statistical analysis, much of it made possible for the first time due to new computerized tools developed specifically for this book, Bannister argues that the implications of orality have long been overlooked in studies of the Quran. By relocating the Islamic scripture firmly back into an oral context, one gains both a fresh appreciation of the Quran on its own terms, as well as a fresh understanding of how Muhammad used early religious traditions, retelling old tales afresh for a new audience.</span></span>
- Kurztext
This unique book uses innovative computerized oral-formulaic analysis of the Arabic text of the Quran to demonstrate that much of the Quran was composed live in oral performance. It explores the rich oral culture that both predated and preceded the Qurans formative period, and shows that only by viewing the Quran through an oral lens can one begin to properly understand the process by which it first coalesced.
- Autorenportrait
Andrew G. Bannister is adjunct research fellow at the Centre for the Study of Islam and Other Faiths, Melbourne School of Theology, and visiting lecturer at the Centre for Islamic Studies and Muslim-Christian Relations, London School of Theology.
<span><span>The Quran makes extensive use of older religious material, stories, and traditions that predate the origins of Islam, and there has long been a fierce debate about how this material found its way into the Quran. This unique book argues that this debate has largely been characterized by a failure to fully appreciate the Quran as a predominately oral product.</span></span><br><span></span><br><span><span>Using innovative computerized linguistic analysis, this study demonstrates that the Quran displays many of the signs of oral composition that have been found in other traditional literature. When one then combines these computerized results with other clues to the Qurans origins (such as the demonstrably oral culture that both predated and preceded the Quran, as well as the folk memory in the Islamic tradition that Muhammad was an oral performer) these multiple lines of evidence converge and point to the conclusion that large portions of the Quran need to be understood as being constructed live, in oral performance.</span></span><br><span></span><br><span><span>Combining historical, linguistic, and statistical analysis, much of it made possible for the first time due to new computerized tools developed specifically for this book, Bannister argues that the implications of orality have long been overlooked in studies of the Quran. By relocating the Islamic scripture firmly back into an oral context, one gains both a fresh appreciation of the Quran on its own terms, as well as a fresh understanding of how Muhammad used early religious traditions, retelling old tales afresh for a new audience.</span></span>
